Sian Ricketts enjoys a multi-faceted career as a period woodwinds specialist, singer, and medieval pedagogue. She is a core member of Piffaro and Alkemie, and she also performs and records medieval, Renaissance, and baroque chamber music with ensembles including Trobár, Makaris, Theotokos, Science Ficta, and Apollo’s Fire. As a co-managing director and performer with Alkemie, she has appeared on series including the Berkeley Early Music Festival, Arizona Early Music, the Five Boroughs Music Festival,
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Christa Patton, historical harpist and early wind specialist, has performed throughout the Americas, Europe, and Japan with many of today’s premier early music ensembles including Piffaro the Renaissance Band, Early Music New York, Boston Camerata, The King’s Noyse, Folger Consort, Newberry Consort, Apollo’s Fire, Parthenia, ARTEK and Chatham Baroque to name a few.
As a Baroque harpist specializing in 17th century opera, Christa has performed with New York City Opera,
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Tom Roby has been teaching English dancing since undergraduate days, and is well-known as an ECD leader on both coasts. Currently he is one of the main callers for CDS Boston Centre (calling regularly with Bare Necessities and Friends) for both weekly dances and special events. He maintains a busy schedule teaching at festivals, dance camps, and weekends. Credits include CDSS English and American weeks at Pinewoods, Mainewoods Dance Camp, and dance weekends sponsored by LCFD (gender-free),
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Born in NYC and raised in Charleston, SC, Joshua Overby is a conductor, vocalist, and instrumentalist who has been performing professionally for over a decade. He currently serves as the director of music at St. John’s Lutheran Church in Lady’s Island, SC and is also the Associate Conductor of the nationally recognized Taylor Festival Choir (TFC). As a tenor, Joshua enjoys a varied choral and solo career. In addition to the TFC, he’s also made appearances with Chicora Voices of Greenville,
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New Zealand-born keyboardist Jonathan Oddie is in demand across the United States as a soloist and collaborative artist on harpsichord, fortepiano and continuo organ. He has performed as a featured soloist with the Northwest Sinfonietta and Saratoga Orchestra of Whidbey Island, and as a chamber musician with Gallery Concerts Seattle, Philadelphia Chamber Music Society, Whidbey Island Music Festival, and Salish Sea Early Music Festival. As an orchestral musician he performs regularly with the Portland Baroque Orchestra and the Seattle Symphony.
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Miyo Aoki is a dedicated recorder player and teacher, performing music ranging from medieval to modern and teaching students of all ages and levels. She is a member of the Farallon Recorder Quartet and has performed in the US, Germany, and Poland, with groups including The Eurasia Consort, Utopia Early Music, and Gamut Bach Ensemble; and at the Amherst Early Music Festival, Bloomington Early Music Festival and Whidbey Island Music Festival. She has premiered works by contemporary composers Natalie Williams,
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Ben Matus (winds) enjoys a varied career in music: bringing to life music regardless of whether it was written in the Middle Ages or yesterday. Ben performs with early music groups on various bassoons, dulcians, shawms, recorders, bagpipes, and whatever instruments he can get his hands on along the East Coast—including Alkemie, Early Music New York, New York Baroque Incorporated, Trinity Baroque Orchestra, The Clarion Society, Opera Lafayette, The Washington Bach Consort, The Handel and Haydn Society,
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Niccolo Seligmann records as a soloist and as a multi-tracked viol consort in soundtracks with Netflix, AppleTV, Microsoft Studios, Firaxis Games, and more. They perform and record on a collection of dozens of historical and traditional instruments, many of which were built in collaboration with their father-in-law, master luthier Ken Koons. Niccolo’s opera and theatre compositions include Julie Monster: A Queer Baroque Opera, An Iliad, Minerva: Times Change, and an electronic dance remix of Dave Malloy’s Ghost Quartet.
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Eric Haas has taught recorder and chamber music at New England Conservatory, Tufts University, Brandeis University and Wheaton College, and is a popular coach at early music workshops, including Amherst Early Music, the Long Island Recorder Festival, Pinewoods, and the Mideast Workshop. A talented composer and arranger, his ‘Five Variants on “Wondrous Love”‘ won both First and Audience prizes in the 1991 VdGSA Leo Traynor Competition for new works for viols. Mr. Haas has edited four volumes of solo repertoire for recorders and his many arrangements and transcriptions are played worldwide.
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Jan Elliott began her recorder studies at age 3. Her first teachers were Ruth Guillard, student of Bernard Krainis (and wife of a founding Pinewoods Morris Man), and school music teacher and early music specialist Patricia C. Brown. Later she explored advanced baroque repertoire with W. Britt Wheeler at Wesleyan University, earning a BA in music and education. Her MA thesis from UCLA focused on dance/music relations, and she happily straddles both worlds. Jan currently maintains an active private studio and teaches music at elementary and middle school levels.
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Dance, Music, & Song Camps
